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Rainy Weather Photography Tips + Editing
By Anastasiya Shtanakova
Rainy weather provides stunning photo opportunities. Explore rain photography techniques, equipment protection advice, and editing methods for wet-weather photos.
Wet weather makes everyday life more difficult, which is why many people view it with mild distaste or even outright dislike. However, for a photographer, this is a great opportunity to create a collection of striking images: puddles and raindrops can be used to create unusual compositions, and wet leaves or building facades look much more vivid and gain greater depth. But is everything really that simple?
Don’t feel like reading the whole breakdown right now? Here’s a tighter, more practical summary of what actually changed.
Key Takeaways
- Emphasis on detail and contrast. Shooting against a dark backdrop of buildings or trees highlights the water droplets, while focusing on the textures of wet leaves and reflections in puddles creates a deep, atmospheric composition.
- Protection and angles. Using a lens hood protects the lens from water droplets and glare, while being prepared to shoot from low angles in waterproof clothing opens up unique perspectives unavailable during a regular walk.
- Lighting scenarios. Backlight from lamps or windows effectively illuminates the rain, making it look graphic, while spot metering on the brightest areas helps avoid overexposure.
- Technical settings. It’s best to use ISO 400-1600 and a shutter speed between 1/250 and 1/4000 of a second, depending on the sky’s dynamics, while maintaining a slight underexposure for better shadow detail.
- Digital processing. A monotonous gray sky is easily corrected during post-processing in RAW format; specialized modules like Sky AI enable you to replace a dull background with dramatic storm clouds or a sunset.
5 Tips for Taking Great Photos in the Rain

Rainy weather brings with it gloomy clouds, slippery road conditions, and a host of reflections that the photographer will have to deal with on the spot. To save yourself some frustration and improve the final quality of your photos, it’s worth spending more time preparing and learning some rain photography tips.
- Look for a contrasting background. Photograph rain against a backdrop of dark buildings or trees. This physically highlights the bright raindrops and streams of water, which would otherwise get lost against a bright sky.
- Use a lens hood. A long lens hood physically protects the lens's front element from water droplets. This will prevent unwanted glare and distortion caused by water droplets landing on the equipment.
- Don’t be afraid to get wet. Of course, this advice might sound a bit silly, but being willing to wade knee-deep into the water can open up a whole new world of interesting perspectives. It’s best to prepare for this in advance by wearing waterproof shoes and pants and bringing a raincoat or a jacket with a hood.
- Backlighting. Position your light source (lamps, windows, the sun) behind the rain to illuminate the raindrops, creating depth and a graphic effect.
- Minimalist details. Focus on the details: raindrops on a railing, ripples in a puddle, or the wet texture of leaves. Close-ups capture the atmosphere of rain better, and besides, poor lighting won’t affect the quality of the photo
Don't forget to set your camera to RAW mode to preserve as much detail as possible. This will come in handy when you move on to editing your images in a photo editor.
Step-by-Step Guide to Changing the Sky: How to Improve the Quality of a Rainy Day Photo
If you Google “sky in the rain,” the algorithms will serve up countless perfectly polished images. Filled with anticipation and a sense of wonder, you’ll rush outside with your camera—and what will you find in the sky? Boring, monotonous clouds most often merged into one huge mass.
Beautiful skies can be captured just before the rain starts or right after it stops. However, the rest of the time, the photographer is left staring at a solid gray canvas, through which faint rays of sunlight may occasionally break through. What can be done to fix this?
A photographer’s options on location are quite limited: you may not be able to achieve the desired result due to rapidly changing weather, poor lighting, or other factors beyond your control. Therefore, the main changes will be made during post-processing.
Since the sky is the weakest element in photography rainy day style, it’s worth choosing Luminar Neo as your primary editing tool. Thanks to the Sky AI module, users can instantly replace the sky to improve the quality of various types of photos. This works equally well for portraits, real estate, e-commerce, or social media images.
1. Go to the editing section. Once the desired image is open in the Luminar Neo workspace, simply select the “Edit” tab located at the top of the screen.

2.Select the section. Among the many tabs that appear, find “Sky” and click on it to access dozens of different sky types.

3.Choose the right option. The collection includes pictures of stormy skies, cloudless skies, or even sunset clouds.

The Sky AI tool is part of the overall editing workflow in Luminar Neo and can be used at various stages. The photo editor works both as a standalone application and as a plugin for Photoshop, Lightroom, and Photos on macOS.
Selecting Camera Settings

Proper camera settings for rainy day will help create high-quality raw images that are easy to edit later. In rainy weather, there is a severe lack of light, and the surroundings, with the exception of wet objects, lose a lot of contrast. Therefore, it’s best to set the ISO to between 400 and 1600 to preserve as much detail as possible in the shadows. If you want to highlight raindrops in the front, such as on glass or branches, open the aperture wider than f/2.8-f/4.0.
The shutter speed should be set based on cloud conditions. What kind of sky do you see when you look up? Photographing free skies immediately after rain requires a fast shutter speed. Set the shutter speed to between 1/1000 and 1/4000 of a second to avoid overexposure and keep the sky as rich as possible. To capture overcast skies, you’ll need to increase the shutter speed to between 1/250 and 1/1000 of a second. In this case, the raindrops won’t travel too far while the shutter is open.
Use spot metering on the sky or the brightest object. It’s better to make the shot slightly darker (underexpose), since it’s easier to pull out shadows in Luminar Neo than to recover details in a gray sky. Exposure compensation (EV) should almost always be kept in the range of -0.7 to -0.3. If you set the value too high when shooting under rainy clouds, the photo will turn out gray.
Take Photos in the Rain

There’s a saying that isn’t very well-known but fits this topic perfectly: “There’s no such thing as bad weather, only weather you’re not prepared for.” So, viewing taking pictures in the rain as an opportunity to capture some unique shots. All you need to do is get the right protective gear—both for yourself and your equipment. Adjust your camera settings before taking a shot, and of course, don’t be afraid to use photo editing software. Replacing the sky is just one of the many things they can do today.
Frequently Asked Questions
Your sky replacement pack will arrive as a large ZIP file containing all of the high resolution skies in the image format you selected. These can then be used with the automatic sky replacement function of Skylum Luminar 4 or Adobe Photoshop. You can also replace your skies manually using Adobe Photoshop Elements, Corel PaintShop Pro or Capture One Pro. However, for the quickest and best results we only recommend these for use with Skylum Luminar 4 or Adobe Photoshop.
Check out these official sky replacement guides:
For Photoshop: https://helpx.adobe.com/photoshop/using/replace-sky.html
For Luminar: https://manual.skylum.com/ai/en/topic/sky-ai-tool
Click the 'Preview' button next to each pack, or select a pack from the menu at the top of this page, to view low resolution versions of every image in the pack.
The images were captured on a variety of full frame Nikon cameras, including the D800, D810, D850 and Z7. We then crop or clone out any undesirable objects from our images - such as buildings, trees or birds. The vast majority of our images are therefore between 30MP and 45MP resolution.
We provide files exported in sRGB color profile.
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Written by

Anastasiya Shtanakova
Portrait Photographer
I find immense joy in connecting with people and capturing their essence through my unique perspective and camera lens. Primarily a portrait photographer, my portfolio is rich with images of individuals, each telling their own story. Beyond the camera, my passion extends to meeting a diverse range of people, learning about their interests and narratives, and bringing those stories to life in my post-production work.


